DEFINITIONS CRUMBLING

Another article for your radical politics pleasure.

DEFINITIONS CRUMBLING:
Our Failed Revolutionary Regime, a Political Revival, and the Rise of Civil Society 

Baltimore, Black Millenials, and the New Movement

An article I wrote for Loner Magazine during the Baltimore riots. We need to continue to expose police terror until we force reform.

BALTIMORE, BLACK MILLENIALS, AND THE NEW MOVEMENT

Article Published on LONER MAGAZINE

I've been fortunate enough to have an excerpt of my new novel, Disposable Thought, published in Loner Magazine.

The article is titled Paradox, the Complex Web, and the Question of Acceptance. Give it a read!

Two New Chances to See Me Read

I've got two readings coming up this month - the first one is at Apostrophe Books (4712 E. 2nd St., Long Beach, CA, 90803) on Oct. 20 from 4:30-6:30pm, and the second is at Gatsby Books (5535 E. Spring St., Long Beach, CA, 90808) on Oct. 30 starting at 7pm.

I encourage you all to come see me on both these occasions. The reading lineup for the Gatsby reading is fantastic and promises to be a great reason to step outdoors and have many, many drinks. Hope to see you there!

No Forgiveness

     I'm not a scene-setter - or maybe I just don't think I am. Scene is interesting only in movies, where the simple reflection of reality seems unpretentious and profound, but we get no such luxury of expression in literature; instead we have to build piecemeal, and that's not fair. So as an alternative, let's focus on single details and hope that it somehow reflects the whole. For starters: the sharp futuristic bulletpoints of light reflected off a series of chrome beer taps.
     One more detail, this time a quick ribbon of dialogue.
     "Wouldya call my lawyer?"
     "Scuse me?"
     "Yeah, wouldya call my lawyer? Binder and Binder. His names Brandt. We're supposed to go out tonight."
     Elise the Bartender refuses him use of the establishment phone for anything so prurient, but a kind-hearted barfly offers up her cellphone.
     "Brandt - it's me... I just started my screwdriver at Clancy's... call me here... hey, hey? what's the number here?... anyway, I'm having a few more drinks and then I'm out, so call me..."
     It is not even noontime yet here in America, and already Elise is giving me free High Life out of pity for my obscene unemployment. Welcome to the world of No Forgiveness.

True Lies, v. 8

Vol. 8

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James is very sensitive with his money. He doesn't share it with significant others or spouses.

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James is going to either Shoreline Village or the Santa Monica pier with Sharon tonight. Should be a good one.

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It's back to the ordinary life for James.

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Unfortunately this is the end of the True Lies series, but don't be afraid to go back and relive all the moments!    

True Lies, v. 7

Vol. 7

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Certain people keep coming to James's place of business uninvited.

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It's back to the ordinary life for James.

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James told his brother that Chris Peters wouldn't cut it out with the gay talk. James's brother is 6'6", 330 lbs. He says to knock it off.

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True Lies, v. 6

Vol. 6

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James is seriously wired right now. Somebody oughtta put him in a birdcage and lock it.

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James had the new neighbor girl over the other night. He instructed her in the way of Karma.

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James has got to check on the coffee that's been fermenting for the last few days in his apartment. Hopefully it has reached its maximum potential: the only way James likes it.

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Reprint of Long Beach Post Review of GCO

BOOK REVIEW: 'GRID CITY OVERLOAD' AND THE DEVOLUTION OF HUMANITY
BY: Shannon Couey 

Humanity, for centuries, has imagined that they are living in “the End times,” as philosopher and cultural theorist Slavoj Žižek so eloquently declares. Humans want to have a sense of individuality; that among all ages and all progressions of humanity, we—we—are the ones that will see the end. In the current social, cultural, political, and natural landscape that we currently live in, it is oftentimes not difficult to imagine that this is the end.

S P O N S O R

Alas, we are probably not that special, just like every other generation of humanity was not that special, but in Steven Bramble’s sophomore novel, Grid City Overload, the “End Times” come not in the form of absolute apocalyptic destruction, but of the devolution of the very nature of humanity that is accompanied by the so-called progression of a technological immersion.

What happens in a world where cell phones, tablets, television, social networks, bio-medical technology, and alternate reality technology reaches its pinnacle? When the virtual relationships you have are more “real” and substantial than the ones you have with actual humans? When the dependence on the technology has superseded our dependence on natural resources and the social and cultural norms begin to shift and alter because of that dependence? These are questions that Mr. Bramble presents a myriad of answers to.
In the not so distant future (2025), Grid, Colorado is a place where water is being rationed—the importance of technological advancement and dependence has superseded the significance of natural resources, which in turn has initiated a futuristic version of class warfare. For those who can afford water, this is not an issue until they are confronted with the consequences of not being able to afford water. Grid is a city completely consumed by technology and the driving force behind the “progress” is a corporate driven political machine.

Under the political technocracy, we follow a myriad of characters, but our focus is directed towards three: Kevin Crepitus (a.k.a. Gerney), a middle class, car salesman who is addicted to gonine (a cocaine-like substance), and is reaching for, if not achieving a steady level of mediocrity, and constantly chasing after other men’s women (knowing full well that he will never have them); Amy Arsenault, a sociopathic, sexual manipulator who is an instrumental driving force in the plot; and lastly, Fish, the symbolic representation of the extreme devolution of humanity when you are so consumed in a technocratic society, to the point that you mentally lose your humanity and devolve into a subhuman state.

The reader is presented with these intersecting narratives and versions of the their truth in a world that is speeding increasingly towards an information apocalypse—in a world that lacks the necessary resources to comfortably sustain human life, and information is in a constant state of accessibility (moving increasingly towards overload) the nature of humanity shifts, and the characters reach a sort of sub-human state, turning to drugs to create an alternate reality that is more “real” than actual reality, becoming manipulative sociopaths (because the only way to exist in a society where you have no control over your own reality and the information stream you receive, is to control others reality), or become a fish—losing all reality, and devolving entirely.

It’s not often easy to read a book that forces you to think, but that is exactly what Mr. Bramble’s novel does. It forces you to examine the amount of information you receive on a daily basis, and how you are receiving it. We are steadily moving towards the kind of society that Mr. Bramble describes, and it is becoming easier and easier to witness the backwards progression of humanity as we receive a constant stream of information from a multitude of sources.

I must admit that I have a penchant for cynicism, so novels and plots that present a less than desirable state of humanity’s future, I tend to enjoy, but even if the potential relapse of humanity is not your usual choice for fictional reading, Mr. Bramble’s book is definitely worth the read. It has moments of insight about the human condition that most, if not all, 26-year-olds have no concept of; the plot is elaborate and captivating; and the twists and surprises that reveal themselves continuously leave you not wanting to put the book down.

Admittedly, I had my reservations initially about the spectrum and depth of Mr. Bramble’s female characters—I made a quick and initial judgment while only half way through the book, not giving his writing and ability for character development the due praise it deserves. My initial thoughts were that his female characters had no autonomy—that they were intimately linked to the men in their lives, and that without that masculine counterpart, they would be dull, flat, and lacking the depth that is necessary to connect with a fictitious character.

But, as I continued reading, I found myself falling in love with the deviancy of the females in the novel, and I consistently found myself cheering for them, especially Amy, even though their place in the plot is…less than honorable. What I discovered, is that in a city, in a world that is void of natural resources, or any sort of connection to nature in general, women become the symbolic representation of the depravity of human dependence or worship of technological advancement over nature, placing them in the powerful position of the destructive force, revealing the backwards progression of humanity. When women are sources of destruction, abdicating their usual role of creator, the importance that technology has taken over nature is the source of the apocalyptic overload.  Not only is Mr. Bramble a talented writer, but he is also a Long Beach local. Take part in the talent and creativity that Long Beach natives have to offer, and give Grid City Overload a read. The plot, character development, and various surprises will not leave you disappointed.

Grid City Overload is currently available on Amazon and Barnes & Noble in paperback; it can also be found locally at Fingerprints, Portfolio Coffeehouse, and Apostrophe Books.

True Lies, v. 5

Vol. 5

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James has been on a seven-year caffeine high. He's finally coming down off it.

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James has two kids with another woman.

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James used to have a cooking website. He also makes his own Thanksgiving dinners.

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