14 May 2012

GRID CITY OVERLOAD - PREVIEW # 2



- FISH -


Factory. Jesus jesus jesus save the over-automated. Twenty-five minutes on bottles, then another twenty-five on cans, then back to bottles. The clock moves in only twenty-five minute intervals. Every three intervals means one hour and an uneven number of swings on bottles and cans. Grab them off the conveyor when they are impure or riddled with defects—toss them into huge plastic boxes, still hot, waiting to be remolded and made better. Every minute there are 372 new bottles made. Every minute there are 345 new cans made. It is slightly easier to work the cans swing. They call us quality control bottling workers, and we make $16 an hour. The checks that come in the mail to my apartment have the logo of the company imprinted onto them. It’s a blacked-out figure of a pteranodon, underneath reading Pteranodon Bottling Co, and then there is even smaller print under that, which I can’t read with my naked eye. I have looked at the small print with a magnifying glass, an old one that I stole from my grandmother’s house when I was little, the one she got from Africa that has the illegal ivory handle, and the words are nightmarish. Sometimes they print the exact date when I will be terminated. Other times they mention how much money has been stolen from my paycheck that month. Every fifteen minutes Floor Supervisor Austin Ackyooclad passes behind me, and Wallace, too, my coworker. Wallace and I trade between bottles and cans every twenty-five minutes. Floor Supervisor Ackyooclad makes sure we aren’t distracted. When I first started I was trained by Wallace. He told me against the noise of the factory: “You get used to wearin them headphones after a while! Nice thing is they let us pipe in news or music through em, but I ain’t suggest doin that till you’ve got used to the work environment! Ya gotta pay so much attention, and some of the new hires get dizzy to the point of throwin up!” I never vomited, but I still get dizzy sometimes. Bottles file through the metal chute in front of me and I inspect each one quickly, having to shoot my fin out into the lolling constant tongue of fresh plastic to pick out the defected ones. So many of them, no matter how diligent I am, escape my careful monitoring—this task would be automated too, if there was yet a way to do it at a cost less than $16 an hour—and the ones that escape, that aren’t thrown into the bins to later be remolded, they make it into general distribution, first packed into suffocating palettes lifted by forklifts, then trucked across the country to be stocked and shelved, finally neglected by customers who would rather have a less idiosyncratic soda container. Down the conveyor line, past Wallace and I’s station, the bottles and cans are filled with Terradon Plus, which started out as a lighter sugarfree substitute for the original Terradon flavor, but the popularity of Terradon Plus ended up vastly exceeding its predecessor. Now people only drink the Plus. The cans and bottles have the blacked-out figure of a pteranodon against a flat orange background. The name of the soda isn’t on the label because it doesn’t need to be, people know what it is just by the logo. Behind us is the INNOCUFILL machine, the machine that makes it necessary for us to have to wear noise deletion headphones. It is contained by a giant glass cage, the mechanical creature inside undulates with thousands of proboscises that extend their tubular mouths towards the aperture where each newly-made bottle or can is sent, sucking them into its convoluted process. The INNOCUFILL is built to be much more elaborate and impressive than necessary because above, through a large square window, tour groups come to observe how Terradon Plus is made, one of the birthplaces of their favorite everyday beverage. From where the tour groups look, the many different movements of the machine, working all in conjunction, are entrancing. Ackyooclad makes twice as many rounds on the days when tour groups come through. I’m unable to hear him when he walks behind me because of the headphones, so I often worry that he’s hovering just over my back, looking on with his sweaty red face, even his eyebrows red, measuring my performance on a chart attached to a clipboard with the Pteranodon logo printed on the back of it, also printed onto his cap and shirt and belt buckle, not to mention my own shirt, my own cap, my own belt buckle. A black pteranodon against an orange background. Sometimes I convince myself he’s hovering behind me, spraying gaseous forms of Ultram or Fentanyl into my breathing space, or seeing if he can lift away my headphone and move his pen into my ear without me feeling so he can covertly puncture my eardrum, and finally I have to look, make sure he’s not there, and I know that when I do this maybe three or four defected bottles or cans make it through the chute to the filling station. He’s almost never there when I look. The way we know to switch swings is that a little beep is sounded into our headphones, signaling Wallace and I to get up from the stools where we’ve been sitting and walk past each other on our way to the other guy’s stool. When we pass sometimes we wave or shake our heads in mutual misery, or sometimes we just walk by each other like we’re both invisible, and in some ways we are. Wallace is a fairly good coworker, though there’s something about him I don’t trust. I’ve seen the conspiratorial looks he exchanges with Ackyooclad, looks that signify my exclusion from something substantial and terrifying. I can see Wallace behind me, framed and surrounded by the same machines that frame and surround me, working the can swing with impeccable skill. He invites me almost daily after work to a nearby bar, and I can make out the developing craggy skin underneath his eyes that indicates a long-time heavy drinker. I’ve never accompanied him because I know it’s the perfect place to drug or poison a person, to slip something into their drink and meanwhile toast to the future. I refuse to be tricked.
I’ve been working bottles for nearly ten minutes. There are sixteen more swings left in the workday, plus lunch. I’m listening to a public address by Randy Mobyle being piped into my headphones that’s just starting over the howl of the INNOCUFILL. Tiny claps and cheers, along with networks of echoes, create an audible space I can somehow picture very clearly as Randy Mobyle begins speaking—
“Good evening, good evening ladies and gentlemen. Thank you. Yes, thank you very much. Thank you. Please, sit. Thank you very much. I’d like to pay welcome and respects to the Grid city council joining us here today. Also to the governor of our great state, Governor Brackett, just recently back from Washington. Finally Senator Warlick and House Representative Vidal joining us via satellite. Gentlemen, I’m honored to have you all in attendance.
“[Meaningful sigh as device for transition:] Citizens of Grid. Last night a water protest took place in the shopping district, specifically along Notation Street in the 9000 block between Axiom and Finite. At around roughly ten-thirty pm the protest broke into a riot. The GPD, a contingent of which had been dispatched there to oversee the protest, was able to quickly get the mob under control. A local restaurant was destroyed during the incident, and rioters rushed to loot the business. Luckily they were deterred. However several officers were injured in the struggle, and upwards of ten rioters had to be forcefully subdued. We know the protest was meant to be peaceful, and that it was the irresponsible and dangerous actions of a select few from a radical group who caused such destruction and violence to occur.”
I’m struck by the fear Ackyooclad is behind me, monitoring my work and reaching out to grab me by the mouth. I spin around in my stool for half a second—nothing is there. When I turn to face the metal chute again, I catch a glimpse of two defected bottles passing through my station, now on their way to be filled and distributed.
“Every avenue will be pursued in order to prevent such unnecessary atrocities from occurring again, and I have been promised support by Governor Brackett, Senator Warlick and Representative Vidal in combating riot violence here in Grid.
“Now it simply must be stated that the city has taken strategic steps to ensure all citizens living within the city limits are being provided with suitable resources to live. Before the Dispersal Act passed in ’19 there were over two thousand families living in the hardware tract unable to get enough water, and now, five years later, we’ve solved a significant piece of that problem through government-initiative living programs which enable these suffering individuals to live healthy lives.
“Make no mistake, ladies and gentlemen, we are nearing a dire situation that violence will neither prevent nor alleviate. In fact, those who believe violent measures will help achieve their goals are not only incorrect, but are in fact falling into the same ineffective behaviors that we’ve observed for countless years. It’s my belief that the citizens of Grid deserve something new from their fellow man, something better. Namely: understanding and camaraderie. Solidarity. Empathy, ladies and gentlemen. Those of us in positions to help must do so. Some of us will have to accept that the road will be hard for the time being, that some of the ways of life we’ve come to love must be altered, tinkered with, and made more sustainable.”
My phone receives a text, but I won’t be able to check it until my swing is over, and even then it will be difficult to read, much less make a response in the short time it takes for me to pass Wallace on my way to the cans station. The message is from Camillia, my girlfriend, who found my number through a set of alternative art message boards. We’ve known each other a year, but have never seen each other or spoken over the phone. I agreed with her early on that it would be best to maintain contact through text and email until the time was right to meet so we could properly encode ourselves and throw off whatever monitoring systems were likely tracking our phone activity. Especially mine, considering the inflammatory nature of my artistic work, which more than a few corporate and government entities have vested interest in never allowing to get released to the public. In fact, I’ve been under extensive surveillance for a little over five years now. This was revealed to me when I found a microcam hidden in the ceiling of my old apartment, directly over the area I had cleared out to draw and paint. I had been detaching some of the more suspiciously-placed light fixtures with just such a fear in mind, and sure enough, there tangled among the wires in the narrow cobwebbed orifice had been a miniscule black camera attached to ultrathin optical fiber. Instead of destroying the camera, I allowed it to remain there, keeping vigil over a decoy group of still-life drawings and watercolors innocuous in their content. My new apartment has been bugged in more sophisticated ways because I’ve yet to uncover any devices.
“Which of course brings me back to the point I’ve been campaigning for for almost two years now, three depending on who you ask”—there’s a short pause in the audio feed, but why? does it have something to do with what I was just thinking, is it relaying my thoughts?—“and it’s a simple point, one I’ll continue to make, that information in Grid is not sufficiently organized. And what we’re left with instead of order is confusion and indecision. That’s why I’m pleased to announce that InfoZebra, a company synonymous with its groundbreaking ZChase info-adaptation software, has chosen Grid to be the home for its new corporate headquarters. The effort to attract InfoZebra to Grid was headed up by myself, the mayor, the city manager of Grid, and of course none of it would have been possible without the vision and cooperation of the city council. [Long applause.] So before I go on for too long up here, rambling away and making you all stampede the coffee machine [laughter] I’d like to introduce Mr. Flint Vedge, CEO of InfoZebra.”
Bottle, bottle, bottle, bottle, bottle, bottle, bottle, bottle…
“Thanks very much Councilman Mobyle for the warm introduction, and again, I welcome the esteemed guests joining us here today, in-person and otherwise. I’d like to say some brief words about our company and what we can offer the citizens of Grid.”
The clock is perched over the INNOCUFILL’s glass cage, huge and digital, and I look up just as the minute display changes from 25 to 26, the single-digit change both silent and totally profound. A beep—somewhat delayed—is sounded in my headphones. I get up from the stool and take my phone from my pocket, deciding to ignore Wallace on my way past so I can read Camillia’s message instead. I feel him looking at me, maybe even trying to get my attention to make some short commentary on how the workday feels, but I keep my eyes trained downward at my phone, disregarding him. Camillia’s message says, I hate it when you’re at work and we can’t talk. I miss you during the day. I want to reply, doing a quick scan for Ackyooclad who happens to be walking around the corner from the nearest Supervisor’s Station and so I have to repocket my phone and accept the fact that I’ll have to wait until lunch. The cans begin to avalanche through the chute.
“We here at InfoZebra have been dedicated to the places we’ve called home in the past, and we plan to bring that same philosophy with us to Grid when we officially move into our largest corporate headquarters to date. Mr. Mobyle has been very outspoken on behalf of the citizens of Grid and their need for better information organization. As CEO of InfoZebra, we want to be a part of that project, which is why we’ve put together the idea for InfoStructure, a city-wide functioning info-adaptation system. Public works has always been an aspect of government we’ve rallied behind, and I assure you that factor will remain a constant here in this fine city as well.”
Ackyooclad is behind me, this time for real, and my focus becomes fanatical, almost angry in its seriousness. This is how he wants me to act, so I do. The equation is simple. Floor Supervisors only trust you when they can monitor your every movement and account for every mistake that transpires. Instantly I feel him lean down behind me, approaching slow, his neck and head disembodied in my mind’s eye, and the headphone on my right ear is lifted away so I can hear him whisper to me: “Lunch after this swing, Kleene.”
I nod slightly. Yessir, whatever you say.
Terradon Plus cans fly past me for twenty-five minutes, and the swing is so easy I could probably read a book at the same time and never screw up once, but my back feels withered, trellised with unique and repetitive pains. There are no backrests on our stools. I yawn all-day, every-day at work.
Finally there’s the beep so I raise both my hands in the air for ten seconds so the Manager of Production can see me from his station above the INNOCUFILL, then I press two buttons directly underneath the metal chute so the cans will stop shivering across the conveyor. Everything, including the INNOCUFILL, comes to a halt with a bone-rattling whine. Once it’s over I take the headphones off and make my way towards the break room at the far end of the factory along with everyone else who’s working the floor, which is actually not many except for me, Wallace, and a handful of Floor Supervisors. Most of them monitor machines all day. Wallace falls in stride beside me and starts in with the usual routine.
“Nother long day, Fish?”
“Yeah.” He’s the only one here who calls me by that name.
“What’s the plan after work?” He’s looking at me sheepish, like a little kid who wants their friend to come play. It’s an act, though. I don’t trust him any more than I’d trust a shark.
“Same as always. Home. Long day again tomorrow.”
“Right,” he says, accepting it, pretending his spirit has fallen.
We enter the break room and I grab my lunch from my locker. We sit at our normal table, away from the supervisors. I’ve eaten the same thing for lunch every day this week. It’s Saturday. Now I can text Camillia, so I type, I miss you too. How is your day going?
Wallace is staring into space, biting at a sandwich. I notice his water ration is low. Mine is too. “Was at the bar last night,” he pronounces, still staring into space. “Pretty good time.”
“Uh-huh.”
It’s going all right. Just the usual stuff, nothing interesting. I’m attempting not to steal money out of the register and make a break for it. She works as a cashier at some store, like a convenience store. We’re careful with specifics.
“You should come by tonight if you can. I always tell Nicole’s friend Jasmine about you. Tell her that you never got the energy to come out and do anything.” He’s just chewing, and I look at him. He looks well on his way to becoming old, the youth in the eyes and cheeks fraying, eyebrows growing shaggier, lips starting to suck into his face like a tiny vacuum within his mouth has been turned on at 1/1000000000th the normal speed. The rings underneath his eyes are sallow from not having enough water to cleanse his system of the unceasing stream of alcohol he feeds into it. I look back at my phone.
Do it. Just steal it all and get out of there. No other course of action is sensible.
“And you know what she says to me? She says, ‘Why he ain’t ever got any energy to come out?’ And I’m like, ‘Got me. Dude’s just like that, y’know? Some people are.’ And you know what she says then?”
I will. Then I could come get you and we could afford to move to San Diego and not die of thirst. You know what I read in the news?
“She says to me, ‘That’s sad.’ ”
What?
I say to Wallace through a mouthful of food in a deliberate and measured tone, “I would come out, really, but I’ve got some things I honestly have to finish tonight. Otherwise I’d be right there with you.” Nice try, Wallace, but I’m not biting. Cast the line out as many times as you want, but I won’t be fooled. You can count on that.
“Your choice.” We eat in silence.
I heard the desalinization plant down there got bombed. The whole thing was destroyed.
A small sweat breaks on my forehead. It’s not safe to discuss these kinds of things, not even on the secure numbers we use.
A whole bunch of workers were killed.
I type, Maybe we shouldn’t talk about this. For purposes of security.
After a while: I’m sorry.
It’s not your fault, I’m just not comfortable. If it happened recently they’re probably doing a lot of active scans. We don’t want to draw attention to ourselves.
Maybe you’re right. There’s no use in compromising this number. I’ve been meaning to talk to you about something.
“Will you do me a favor, Fish?” Wallace stops chewing his sandwich and looks at me.
I’m slow to answer, unnerved by Camillia’s message. “What is it?”
“Would you mind stayin on cans one more swing? I’m tireder’n hell and bottles tends to wake me up. Just the stimulation is all.”
I can’t tell whether the sincerity in his voice is real or not.
I have an idea that will maximize our security.
“That okay with you, Fish?”
“Um…”
“I mean, if it ain’t too much trouble. If you ain’t gotten enough bottles yet today.”
The sweat on my forehead isn’t receding. I check to see if he notices; I can’t tell if he does or not.
“Fish?”
“Sure, you can have bottles this swing. I don’t mind cans at all.” I have to convince myself there’s nothing ulterior going on here.
“Well I appreciate it. You all right, man?”
“Fine. Just wrapped up in conversation.” I hold up my phone and shake it.
“You got some kinda girlfriend I don’t know nothin about?” he smiles.
“No.”
The smile eventually drops, and when I’m satisfied he’s no longer paying attention, I respond, What is it?
Time passes and I get no response from Camillia. This happens sometimes—she’ll get busy with work and be unable to talk. But I want to know what her idea is, and so the longer I have to wait the more distressed I get. There’s another beep to indicate the end of the lunch break, Ackyooclad appearing from nowhere, standing over our table saying, “Back to work, boys.”
I look up and see his stare—it’s hollow, zealous, not weary in the least.
“Me and Kleene are switchin swings, sir,” Wallace tells Ackyooclad while I pack up my lunch and put the containers back in my locker. “He’s on cans and I’m on bottles.”
Ackyooclad agrees, not really caring an ounce, hurrying us out to the floor. Just before we part ways, Wallace tells me, “Don’t worry bout them bottles, Fish. I’ll keep an eye on em for ya.” He heads towards his stool, and I reapply the noise deletion headphones just as the INNOCUFILL vents a high-pitched complaint and thunders back to life.


In the car after work I check the news radio for any interesting updates, but the only thing going on is a full replay of Mobyle’s address earlier today. I wait to see if I can hear the same break in the audio feed I heard through the noise deletion headphones at work, and my eyes grow wide when I discover that the break is still there. I slide the volume graphic to mute with a fin. My head reels with implications while I wait for a stoplight to turn green, then after a while it does turn green and I push the gas pedal. Something is happening here. I don’t know what yet, but something is definitely—
And then a hot red bullet of silence plows through my right ear, then my brain, then my left ear, and I feel the side of my face impact with the glass of the driver’s side window and my fin smashes against the steering wheel and then there’s a sickening inertia that when it finally stops I’m hanging halfway out the door of my car, suspended above the asphalt by the seatbelt strap pulled across my chest, breathing hard with my eyes closed. A few strands of bloody spit drip slow from my mouth. I stay like this. A few minutes pass and now there are the sounds of people getting closer, a few of them crowding around me and the car, gasping, and I don’t want them here, I don’t want them looking into my car or having the chance to steal anything. I try to do a quick run-through in my head of important items in the glovebox and on my person so I can take inventory later, make sure nothing’s missing, but it’s impossible to remember right now. In the corner of my vision, through the glassless passenger side window of my car, I can see the hulking face of a bus, its eyes lit up in the darkness, beaming across the length of my front seat, causing me to squint. Even more people crowd around. I can’t help but wonder if they’re making those sounds because of my injuries or because I’m a fish.

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